
The Masters of Modern Japanese Woodblock Prints: Shin-Hanga and Sōsaku-Hanga Artists
In the early 20th century, Japan witnessed a vibrant revival of woodblock printmaking through two major art movements: Shin-Hanga ("new prints") and Sōsaku-Hanga ("creative prints"). These movements honored the heritage of ukiyo-e while redefining it for a modern audience. Their influence remains strong among collectors and art enthusiasts around the world. This article explores five prominent artists from these movements and what makes their work significant.
Kawase Hasui (1883–1957)
Kawase Hasui is widely regarded as one of the leading figures of the Shin-Hanga movement. Known for his tranquil landscapes, Hasui's works often depict rural Japan, seasonal changes, and the majestic presence of Mt. Fuji. His prints, published by Watanabe Shōzaburō, evoke a serene and poetic atmosphere through meticulous detail and subtle color gradations. His art blends traditional Japanese aesthetics with Western techniques such as perspective and shadow.
Kasamatsu Shirō (1898–1991)
Kasamatsu Shirō began his career under the mentorship of Kaburagi Kiyokata and became a prominent Shin-Hanga artist. His early works were published by Watanabe, but he later collaborated with Unsōdo, producing prints in both Shin-Hanga and Sōsaku-Hanga styles. Kasamatsu's subjects range from temple scenes to nature studies, with a strong emphasis on composition and mood. His ability to capture fleeting moments in nature reflects his deep appreciation for the transience of beauty.
Yoshida Tōshi (1911–1995)
The son of Yoshida Hiroshi, Yoshida Tōshi carried on his family's artistic legacy while developing a unique style. Initially influenced by Shin-Hanga, he gradually embraced more modern and international themes. His work includes scenes from across the globe, blending realism with abstraction. Tōshi's technical skill and global perspective helped broaden the appeal of Japanese printmaking in the post-war era.
Asano Takeji (1900–1999)
A Showa-era artist, Asano Takeji is best known for his depictions of traditional Japanese architecture and urban scenes. His prints often showcase Kyoto's temples, teahouses, and quiet alleyways. Asano's careful attention to architectural detail and his use of vibrant colors make his works both historically valuable and visually captivating. He contributed significantly to the preservation of cultural landmarks through his art.
Okuyama Gihachirō (1907–1981)
Okuyama Gihachirō was a prolific and versatile artist who worked in both the Shin-Hanga and Sōsaku-Hanga traditions. Unlike many of his contemporaries, Okuyama often designed, carved, and printed his own works, embodying the Sōsaku-Hanga ideal of the artist as sole creator. His subjects included everything from pastoral landscapes to modern cityscapes, demonstrating a dynamic range and deep curiosity about the changing face of Japan.
Understanding Shin-Hanga and Sōsaku-Hanga
Shin-Hanga artists typically worked in collaboration with publishers, carvers, and printers, much like the traditional ukiyo-e system. The emphasis was on refined beauty, light, and atmosphere. In contrast, Sōsaku-Hanga emphasized the artist's individual vision, with many practitioners handling all aspects of production themselves. While Shin-Hanga found commercial success both in Japan and the West, Sōsaku-Hanga was more aligned with modernist and experimental ideals.
Legacy and Collecting
The works of these artists continue to influence contemporary printmakers and attract the interest of collectors worldwide. Their ability to bridge the traditional and the modern makes them essential figures in the history of Japanese art. Whether you are a seasoned collector or a curious newcomer, exploring the art of Kawase Hasui, Kasamatsu Shirō, Yoshida Tōshi, Asano Takeji, and Okuyama Gihachirō offers insight into a transformative period in Japanese aesthetics.
For those seeking art that captures the quiet beauty of Japan with a modern sensibility, the Shin-Hanga and Sōsaku-Hanga movements provide a rich and rewarding experience.